Andrew Watts was born in Middlesex and studied at the Royal Academy of Music.

Andrew Watts’ operatic engagements include appearances with the Royal Opera Covent Garden, English National Opera, Glyndebourne Festival and Touring Operas, the Aldeburgh and Almeida Festivals and BBC Proms. Foreign engagements include Staatsoper Berlin, Komische Oper Berlin, Hamburgische Staatsoper, Bayerische Staatsoper, Nationaltheater Mannheim, RIAS Kammerchor Berlin, Theater an der Wien, La Scala, Milan, Teatro La Fenice, Opéra National du Rhin, Opera de Lyon, Teatro Real Madrid, Teatro Sao Carlos Lisbon, Grand Theatre de Genève, De Vlaamse Opera, Graz Opera, Stadttheater Klagenfurt, Bielefeld and Australia, Canada and Mexico and the Salzburg, Vienna, Dresden, Bregenz, Batignano and Montepulciano Festivals. His repertoire includes Gluck’s ORPHÉE ET EURYDICE, Arsamenes XERXES, title role ORLANDO, Athamas SEMELE, Andronico TAMERLANO, title role in Leonardo Vinci’s ARTASERSE Sorceress and Second Witch DIDO AND AENEAS, Grace VENUS AND ADONIS, Ottone AGRIPPINA, Nero and Nutrice L’INCORONAZIONE DI POPPEA, Oberon A MIDSUMMER NIGHT’S DREAM, Orlofsky DIE FLEDERMAUS, Edgar LEAR, Behemoth der Kater DER MEISTER UND MARGARITA, Adschib in Henze’s L’UPUPA, Omar DEATH OF KLINGHOFFER, Bishop Baldwin GAWAIN, Prince Go-Go LE GRAND MACABRE, Vyasemskaya / Pleasant Voice / Proletarian A DOG’S HEART and Pleasure in Gerald Barry’s TRIUMPH OF BEAUTY.  He has taken part in many world premieres including Olga Neuwirth’s BÄHLAMMS FEST and LOST HIGHWAY, James in Birtwistle’s THE LAST SUPPER and Snake Priestess THE MINOTAUR, White Rabbit and March Hare in Unsuk Chin’s ALICE IN WONDERLAND, Nuñez’ MÄRCHEN, Liza Lim’s THE NAVIGATOR, Ian McQueen’s LINE OF TERROR, Guarnieri’s MEDEA, LOST OBJECTS for Bang on a Can, Dimitri Smirnov’s THE LAMENTATIONS OF THEL, Raymond Yiu’s THE ORIGINAL CHINESE CONJUROR, Camille in Michael Finnissey’s THÉRÈSE RAQUIN, Judith Weir’s MISS FORTUNE and THE OUTCAST and Ferdinand in Torsten Rasch’s THE DUCHESS OF MALFI .

Andrew Watts’ concert engagements include appearances with BBC Symphony Orchestra, London Sinfonietta, Royal Scottish National Orchestra, Ulster Orchestra, Los Angeles and Cleveland Philharmonic Orchestras, Niew Ensemble, Klangforum, at the Salzburg, Lucerne, Lausanne, Cernier,
Brighton and Edinburgh Festivals, Vienna, New York, Budapest, Seville, Paris, Cologne, Brussels, France, Australia and Italy. Repertoire includes JUDAS MACCABEUS, JEPHTHA, SOLOMON., MESSIAH, ST. JOHN PASSION, Bach MAGNIFICAT, THE INDIAN QUEEN, Charpentier TE DEUM the world premieres of Unsuk Chin’s CANTATRIX SOPRANICA, Birtwistle’s ORPHEUS ELEGIES and THE SHADOW OF NIGHT, Oscar Strasnoy’s L’INSTANT, works by Guarnieri and Manzoni and Olga Neuwirth’s, HOMMAGE A  KLAUS NOMI, LA VIE…ULCERANT and FIVE DAILY MINIATURES. He features on recordings for ASV of Boyce’s ODE FOR ST CECILIA’S DAY and DAVID’S LAMENTATION with the Hanover Band and was heard in Sally Potter’s film ORLANDO. He broadcasts regularly and television appearances include a cameo as Kathleen Ferrier in WILLIAM AND MARY.

Engagements in 2015 include ALICE IN WONDERLAND with the Los Angeles Philharmonic in Los Angeles and at the Barbican, the world premiere of Tansy Davies’ BETWEEN WORLDS for English National Opera, Orestes LA BELLE HÈLÈNE in Hamburg, and concerts in London, including the Proms, and in Europe.  Subsequent performances include Cherubino in the world premiere of DIVORCED by Elena Langer for Welsh National Opera, his debut at the Paris Opera as Edgar in the new production of LEAR and is debut for Dutch National Opera, Amsterdam

Recordings include:

Boyce ODE FOR ST CECILIA Hanover Band – Graham Lea-Cox ASV
LOST OBJECTS Concert Köln/RIAS Kammerchor, Roger Epple TELDEC NEW LINE

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